How racist were Scientology’s ‘tech’ films? They got help from Hitler’s favorite filmmaker

[Karen#1]

TONY ORTEGA
Excerpt:

[td width="600px"]

​

[/td][td]

​

[/td]​

Former Scientology film director Mitch Brisker has more eye-opening photos for us that he took on the church’s movie sets, but first we need to set up these new images with some backstory. (See his previous photos here and here.)
Five years ago, we got very lucky when one of our readers tracked down an actual copy of the screenplay that L. Ron Hubbard and Leni Riefenstahl worked on together in 1960, an intended remake of Riefenstahl’s popular 1932 Alpine fantasy, Das blaue Licht (‘The Blue Light’).
Only a little had been previously written about this strange collaboration between two of the 20th century’s most infamous characters, but we were fortunate to get a lot of hitherto unknown information about it for a lengthy piece at The Daily Beast.
After Adolf Hitler came to power in 1933, he tapped Riefenstahl to make two of the films most associated with the Nazi movement, 1935’s Triumph of the Will that captured a rally at Nuremberg and 1938’s Olympia, about the 1936 Berlin Olympics. After the war, Riefenstahl was held in internment camps for three years, and after her release she fought a constant battle over her reputation, claiming that she had been naive about the Nazis and was not part of Hitler’s cabal.
In 1960, one of the people hoping she could make a comeback was a young Canadian film editor named Philip Hudsmith, who tried to raise enough money so Riefenstahl could remake The Blue Light and recapture her pre-war success. Initially, Hudsmith had persuaded W
. Somerset Maugham to write the screenplay, but the aging writer pulled out when it became clear that the press was still quick to bring up Riefenstahl’s connection to the Nazis.
READ MORE

How racist were Scientology’s ‘tech’ films? They got help from Hitler’s favorite filmmaker

Former Scientology film director Mitch Brisker has more eye-opening photos for us that he took on the church’s movie sets, but first we need to set up these new images with some backstory.

tonyortega.substack.com

 

[Hatshepsut]

A similarity in shared ideas, just came to mind. Hubbard and the Nazis both had that thing about inherit purity of the spiritual energy, or source line. Possibly both got this from Blavatsky and it was popular.

In the early 50s the hunt was for the PC's true identity and pulling him out of the morass of different theta body lines. Today we may look at these fusions as a natural collaboration or necessary symbioses. The fixation on getting the purest or the cleanest primordial identity is an attempt to track evolution back to the highest dominating identity. It was about finding the lines of control who had an unquestionable right to dictate and author.

Odd, these modern attempts to alter DNA so that original source codes don't remain manifesting in our commingling new world. It's a contest. These attempts to edit the human race or expunge recollection of origins are increasingly suspect. Today anyone who posits one thing as being superior to another is abhorrent. Yet, it's obvious some conditions of being and identity are undesirable and we seek to morph out of them.....upwards and away...... to some better one.